(via pizza)

  • White people: terrorists? From the Middle East? All brown people no exceptions.
  • White people: Jesus Christ? From the Middle East? White. Obviously.

everyone:

hazelgrace:

augustuswaters:

okay?

okay

[SOBS VIOLENTLY]

(via doritos-for-breakfast)

cybersleepover:

seven days without a pun makes one weak

(via doritos-for-breakfast)

(via 23voices)

pussylipgloss:

tumblr girls be like ” i want a skinny boy with pale skin, i want him to have bruises, sleepy eyes and dirt under his nails . i want him to have a lazy eye and literally one strand of hair, his natural scent is french fry grease and cigarettes UNF!!!”

(via pizza)

vverism:

the sexual tension between you and anyone your age on public transport 

(via ironworthstriking)

I enjoy controlled loneliness. I like wandering around the city alone. I’m not afraid of coming back to an empty flat and lying down in an empty bed. I’m afraid of having no one to miss, of having no one to love. — Kuba Wojewodzki, Polish journalist and comedian (via spookymoonparty)

(via dannothemerman)

yerawizardbarry:

when you need to cough in an exam but you’ve already coughed like twice so you just sit there suffocating

(via pizza)

This is for the times you went through hell so someone else wouldn’t have to. — Andrea Gibson, Say Yes (via swimmingpoolforants)

(via dannothemerman)


It’s like I’m reading a book… and it’s a book I deeply love. But I’m reading it slowly now. So the words are really far apart and the spaces between the words are almost infinite. I can still feel you… and the words of our story… but it’s in this endless space between the words that I’m finding myself now. It’s a place that’s not of the physical world. It’s where everything else is that I didn’t even know existed. I love you so much. But this is where I am now. And this who I am now. And I need you to let me go.

It’s like I’m reading a book… and it’s a book I deeply love. But I’m reading it slowly now. So the words are really far apart and the spaces between the words are almost infinite. I can still feel you… and the words of our story… but it’s in this endless space between the words that I’m finding myself now. It’s a place that’s not of the physical world. It’s where everything else is that I didn’t even know existed. I love you so much. But this is where I am now. And this who I am now. And I need you to let me go.

(via coffeekaling)

You’ll ache. And you’re going to love it. It will crush you. And you’re still going to love all of it. Doesn’t it sound lovely beyond belief? — Ernest Hemingway, from The Garden Of Eden (via violentwavesofemotion)

(via thevillagesessions)

thrillionaire:

just spooning my boyfriend

out of his container

it’s ice cream

(via pizza)

Gracefacing to the finish line whuuuuuuut

Gracefacing to the finish line whuuuuuuut

feministwerewolf:

girljanitor:

Lost silent film with all-Native American cast found

The Daughter of Dawn, an 80-minute feature film, was shot in July of 1920 in the Wichita Mountains Wildlife Refuge near Lawton, southwest Oklahoma. It was unique in the annals of silent film (or talkies, for that matter) for having a cast of 300 Comanches and Kiowas who brought their own clothes, horses, tipis, everyday props and who told their story without a single reference to the United States Cavalry. It was a love story, a four-person star-crossed romance that ends with the two main characters together happily ever after. There are two buffalo hunt sequences with actual herds of buffalo being chased down by hunters on bareback just as they had done on the Plains 50 years earlier.

The male lead was played by White Parker; another featured female role was played by Wanada Parker. They were the son and daughter of the powerful Comanche chief Quanah Parker, the last of the free Plains Quahadi Comanche warriors. He never lost a battle to United States forces, but, his people sick and starving, he surrendered at Fort Sill in 1875. Quanah was the son of Comanche chief Peta Nocona and Cynthia Ann Parker, the daughter of Euro-American settlers who had grown up in the tribe after she was kidnapped as a child by the Comanches who killed her parents. She was the model for Stands With a Fist in Dances with Wolves.

You can watch the first ten minutes of the film here. It is over 90 years old, and was produced by, directed by, and stars only Native American people.

(via womaninthewoods)